Monday, January 3, 2011

TO DANCERS FROM WINTER
 
...humankind has afforded itself the right to create a world that is superimposed on the visible one and to make visible a world that is ordinarily invisible. --Jean Cocteau, The Art of Cinema


January 3rd, 2011 -- POST:

Don't know what 2011 will bring for MAE. Possibilities range from new birthings to Falling Away & Rebirth onto other creative roads for each of us. From the depths of this cold Winter day, I offer a poem for MAE and for all who dance...


The Winter of MAE
(to the Movement Artists' Ensemble)
by Gwyn Henry


Gwyn Henry, Yulia White, Pianta from Shadow Feet



 Quiet now our feet & deep
our dance-less nod
dreaming perhaps of movement
dreaming perhaps of floor,
thirsting for mirrored light                   
& yes quicksilver notes
that rise us through doorways
which only our bodies can explain

Yulia White, from The Camera

like leaves whose dances
have been felled
to waiting beds of snow
we curl, embryos,
with our lives sleeping
in our bellies,
tired, spent, content                             
to lie supine
upon pale days
& thick nights
Pianta, from Out of the Red

diva's we are,
with forgetfulness
of sweat & radiant musk
& graze of hand, ricochet of hips--
no longer accepting weight
not our own
nor trusting our bones
to other bones

Gwyn Henry, Yulia White, from It's Not in the Bag



each to her own
slumber
separate
Pianta, from Shadow Work

all the rest
absent for now,
sundered & scattered,
by this fallow time.

         --January 2011     
Escondido, California

6 comments:

  1. I wanted to return again to each photo for a second and third look. They are elegantly haunting. The accompanying poetry is top rate too.

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  2. Thanks, Rayn!That means a lot coming from one of my favorite poets.

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  3. Hi Gwyn! Thanks for sharing this. I really liked your poem. So creative and fun to read! I always look forward to more MAE videos to watch. Love the inspiration it brings to many! Love ya! Emily

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  4. Hi Gwyn!

    Happy New Year 2011! I visited your blog. Read your poem & saw your photos! Enjoyed! So nice to have a friend who is both Creative and tech savvy. Carry on, Diva of the Dance, Carry on!

    Broderick

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  5. Hi Gwyn,
    Your poem is somber and deeply restful.. an almost hushed solitude resonating within it.
    "..our lives sleeping / in our bellies" just blows me away - how so often we wish we were able to simply hibernate awhile, retreat to a less involved space somewhere, moving in union with the natural world's rhythms.. thanks for the poem - I don't dance with my physical body.. but I dance with you in spirit. Or will come Spring - for now, we allow ourselves some time for dreaming.
    xoxo

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  6. I am very impressed with your creative talent with dance and film. What comes to mind are the thoughts of Marshall McLuhan i.e. “The Medium is the Message”. I found a brief explanation from “The Medium is the Message” by Dr. Eric McLuhan, Marshall’'s eldest son:


    Each medium, independent of the content it mediates, has its own intrinsic effects which are its unique message.

    The message of any medium or technology is the change of scale or pace or pattern that it introduces into human affairs. The railway did not introduce movement or transportation or wheel or road into human society, but it accelerated and enlarged the scale of previous human functions, creating totally new kinds of cities and new kinds of work and leisure. This happened whether the railway functioned in a tropical or northern environment, and is quite independent of the freight or content of the railway medium. (Understanding Media, NY, 1964, p. 8)


    What McLuhan writes about the railroad applies with equal validity to the media of print, television, computers and now the internet. “The medium is the message” because it is the “medium that shapes and controls the scale and form of human association and action.” (Understanding Media, NY, 1964, p. 9)

    I find this to be the essence of so many creative efforts. It is a matter of how the mind perceives, translates, and interprets visual impressions...

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