Friday, September 14, 2012


 MAE ON MAE


Pianta, Yulia and Nancy

View VIDEO of Discussion
MAE ON MAE:
What's it Like? 

    MAE members, Yulia, Pianta, Nancy and Gwyn discuss their process and experiences of creating movement improvisations for the purpose of making experimental videos. 

                                        
                                      
 

I've come to a place where I feel
I am able to just forget the camera...
                    --Gwyn, MAE Facilitator




When the person is really involved in the movement and you can tell they're not thinking about anything other than just experiencing movement-- that's when I think it's really fascinating.     --Pianta                                                                                                                                                                


I like the intuitive nature of it, reading it energetically rather than  having to think about a dance move or a pose or an appearance...               --Nancy      






                                                      


   You can come with a horrible mood and then suddenly, it's like a birthplace of  Freedom!     --Yulia






Monday, August 6, 2012

 GLOW IN THE PARK--

AFTER TWO WEEKS OF STRESSING about my film installation for Glow in the Park, Escondido, the entire event sparkled with majick beneath a full moon the color of a peach!

Howie, my son, and Greg, my hubby, produced and built the final design of the screen, which turned out to resemble a sail caught in a spiderweb! How artistic is THAT (?!). Glowing mason jar lanterns framed the "sail" as our moving image video poems flitted across it!!!

The lanterns were painted w/glow paint,  & lit from the inside with tiny colored led lights and glow sticks. After sunset, they began to glow like jars of captured incandescence!


WITH THE UNIQUELY-RIGGED screen & jelly jar lanterns, mine was surely the lowest tech installation of the entire event. I had been worried about that beforehand, but after seeing the result,  decided that low tech was not a bad thing, nor was it even relevant to the purpose of the overall event.




 
AS PEOPLE BEGAN TO GATHER in front of the screen, their faces lifted to the play of light and shadow before them, they seemed transfixed. Pianta, Yulia & I (the progenitors of MAE) stood among them, watching ourselves move on the surface of the sail/spiderweb, remembering the road the 3 of us have traveled together for lo! these past years.  At the same time, the dark figures gathered in the silence seemed a Greek chorus, their regard ancient as when they observed and commented on the dramas of the ancient gods, goddesses and mortals thousands of years ago.


FROM THIS NIGHT'S EXPERIENCE I HAVE LEARNED to be more open to success. To have more faith in my Muse. I have learned that my process is to forget much until the last minute & then remember it all-- and in this regard, not to be persuaded by those who say, "Forget it, c'mon, we have to go!"  Next time I WILL take the time to get my camera, my lawn chairs, my water-- preferably before time to go, but even if I only remember at the last minute!!

The support from my family was also amazing... from Greg, to my son & daughter in law, Howie & Emily; daughter Shanna; grandkids Maelee & Maxx; and my daughter, Jessie, added a huge specialness to the occasion.

A special thanks to Jessie and her friend, Jasmine, who went the distance until 11:00 pm closing and helped tear down and "strike the set." They have that special stamina of youth. Hugs to them both!

ADDITIONAL GRATITUDE to all those who saw the films that night and spoke such kind words about them; to Yulia and Pianta for sharing the adventure; and to all those who have ever moved WITH MAE, as well as those who have ever BEEN moved BY MAE.

Much love to ALL!!
                                                    --Gwyn












Sunday, June 24, 2012


A Dancer's Tale
by Gwyn Henry

She continued to dance 
past the prime 
the world had appointed 
 
& as her life ran out 
she pointed her toes 
while what was in her heart
grew larger

her 
feet articulate as hands
hands fluent as poems 
 

& she did not cling 
as it all left her 
(arms & legs
as always 
clad in black)
but entered the floor

which was made of trees

she
careful as music 
thoughtful as wood
stood before the mirror 
& lifted her arms
as she grew old

Friday, March 9, 2012

THE MYLAR EPISODES...

Mylar is... 

an extraordinarily strong polyester film-like substance developed in the early 1950s. In the 1960s cellophane gave way to Mylar with its superior strength, heat resistance, and excellent insulating properties... Mylar created new markets in magnetic audio and video tape, capacitor dielectrics, packaging and batteries. By the 1970s, Mylar had become the industry's best-selling film. 

 


Sun warping time/space

SO MAE USED MYLAR to make our own "films": Below are links to view the four mylar films (moving image video poems) produced within our two days of experimentation with this substance. There seemed something magical about this shimmering surface, drifting the air currents like cloth, now solid, now diaphanous--and sometimes recalling textbook illustrations of how matter warps the fabric of time and space.

THE MYLAR EPISODES: 4 FILMS

Pianta, in Fabric of the Universe
MYLAR I: Fabric of the Universe
click to view:

It is the silent, smiling faces that speak first, as they drift through the fluttering, crackling tunnel-- as though it whispers, as though it has breath-- the faces evoking the luminosity of children's faces as they make first contact with something magical. Fabric of the Universe can be viewed as an inquiring study of the qualities of light and texture evoked by the mylar, as well as those of movement, form, emotion, mind and spirit.


Yulia White, in Opening the Mylar...
MYLAR II: Opening the Mylar: A Meditation on Reflected Light
This film chronicles opening the mylar, unrolling it from its 10' tall roll. Again, the camera observes, the mover artists move, the editor experiments with criss crossing and stacking images, and the light shimmers on.


Unknown Alien Entity, from COVER
MYLAR III: COVER
 Click here to view

Featuring a music track from the Dutch group, "Audiotransparent," COVER brings forward the alien-entity possibilities of the mylar. The camera's eye contemplates the movements of a metallic creature, graceful and glittering, creating its own haunting dance. Meanwhile, quantum-size glimpses of another reality  flicker through, like the last traces of a dimension poignantly similar to our own.


                                      
Pianta, left & Yulia White, right in Butoh Fall
MYLAR IV: Butoh Fall  
 Click to view

Butoh  is an avant garde   improvisation dance /  performance art that had its origins in Japan in the 1960's. It strives to allow the body to "speak" for itself, through            unconscious movement. Originally, it sought to reveal beauty in the dark, the misshapen, the primitive, and the unknown or subconscious realms of the human psyche. Butoh Fall pays homage to this unconventional form through the intensity of the two movers, their anesthetized tempos, frozen faces, the downward pull of body shapes and gestures, the threatening sound track. Toward its end, the film offers a last interaction between the detached couple, one of them striking the floor loudly with her legs again and again, as if to awaken the other, or to shake her out of her trance. Is there light at the end of this  tunnel?                                   
                       


Wednesday, March 7, 2012

COASTING

Nothing serious,
just a little fun
goofing off while coasting
up the California coast--
in Studio IV









Saturday, March 3, 2012

DREAMING IN THE FLOW

                             Enter the dream world as a contemplative tourist...

A Dream Documentary in Movment & Music:

Wednesday, February 1, 2012

   "De-Constructions"       
MAE's 3rd video poem offering
from 

Tuesday, January 24, 2012

MAE's Newest Films from January Session

Watch "Where Do We Go...?"
MAE   has been in the Studio for three January Mondays, conceiving, creating and frolicking in Other Dimensions!! We have encountered a surrealistic Fish, a Marvelous Mylar River, Masques, Dreams, Barriers, Freedoms, and too many other marvels to mention.

Yulia White in "Where Do We Go?"
For your viewing pleasure and for a path into investigating your own inner landscapes, we present the first of our January film set: "Where Do We Go...?"

 A visually & musically haunting improvised movement piece that might be a metaphor of how we move in life toward its end, and where we go when it's all over. Or... maybe not. What do you think?                                           

Just another moving image video by MAE, the Movement Artist's Ensemble, and Bold Hen Productions.

 Please stay tuned-- more videos right around the corner!